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The world's foremost
practitioner
of authentic Chivalric Arts of Defense
*Private Training
Program Workshops and full ARMA
Seminars available: Contact us with requests
and information on fee and travel schedule. Presentation
and lecture requests are welcome. Private lessons also available.
Special arrangements possible for video, motion-capture, and CGI modeling.
Advisory & Consultancy Services:
John Clements provides a range of consulting services and special
information on the culture and history of Medieval and Renaissance
martial arts, arms & armor, swordplay, and historical close
combat. Previous project involvement includes working with: The History
Channel, Fox Television, Six Flags Houston, and major computer and
board game producers Blizzard & NCSoft. To improve the historical
accuracy and martial validity of your endeavor, send an e-mail
inquiry. All fees are by negotiation.

Ask about the Renaissance Martial Arts Lecture Series, Homeschooling
Program, & Corporate Outings.
"What
we demonstrate in a presentation is a reconstructed exhibition of
authentic European martial arts skills delivered not for amusing
performance or stunt display, but education, cultural heritage, and
self improvement." - John Clements
Email
the ARMA Director at: theARMA@comcast.net
Instructing
in an unmatched historical curriculum

Examining
historical specimens, Spain 2009
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Presenting
on historical European fighting methods, Portugal 2009 |

Teaching
in Europe, 2009 |

A leader in historical fencing studies, reconstructing
authentic methods and historical techniques
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Private & class instruction
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Lecture
& Seminar Presentations
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Youth Talks
& Demos
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Consulting for
the
Sword Manufacturing Industry
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Museum Presentations
on Arms & Armor use (Kienbusch Collection, Philadelphia
2007)
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Evaluating &
Testing
Historical Fencing Products
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Teaching longsword
fencing
in Athens, Greece 2004
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Renaissance swordplay seminar
on longsword in Haifa, Israel 2005
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Longsword technique
presentation
in Gaunajauto, Mexico, 2006.
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Seminar in Mexico City, 2007
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ARMA Seminar
in Athens, Greece 2007
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Inspecting
authentic pieces
at the Oakeshot Institute, 2007
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Examining antique blades |

Practicing
in armor at
the Royal Armouries, Leeds UK
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Rapier
practice in Europe
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Classroom
Training
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Examining an antique rapier in Switzerland
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Training with antique blades
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Consultation with noted authority
Dr. S. Anglo
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Meeting with famed sword expert the late
Ewart Oakeshott
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Consulting with the late sword expert Hank Reinhardt
& swordmaker Paul Chen
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Test-cutting with sharp swords at the 2000 Renaissance Martial
Arts Expo Atlanta
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Workshop Demonstration in Canada
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Examining an original 1536 fencing
text by Achille Marozzo
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Lecturing & instructing in Germany
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Examining a great-sword of c. 1400 at the Royal Armouries,
UK 2001
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Trying out an antique
two-handed sword from c. 1550
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Presentation at the Sarasota Medieval & Renaissance
Studies Conference 2002
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Lecturing at Texas A&M University 2003
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Examining
a 1000-year-old viking sword
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Examining
an original edition of Fiore dei Liberi's Flos Duellatorum
c.1410
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Demonstrating
cuts and thrusts on raw meat with an actual antique
16th century swept-hilt rapier
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Lecturing at New York University 2003
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Researching
an original 1553 edition
of Agrippa's famed fencing text
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Handling authentic
16th century swords
in the Swedish Royal Arnory
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Consulting
with noted master swordsmith and researcher Peter Johnsson
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Hefting a
fine 16th century antique
ring-hilted rapier of the Swedish Royal Armory
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Exploring the
original 1410 Pierpont-Morgan
edition of the "Flos Duellatorum"
fighting manual by Fiore dei Liberi
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Researching swords in
Budapest, Hungary 2004
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Program at West
Point 2003 |

Presentation Demo
at Ashokan Sword 2000 |

Training with
an authentic 16th century bastard-sword - January 2008
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ARMA
Director
John Clements
“Every
Art has this property of being clear
to those trained in it,
so that thence comes this maxim,
‘Believe the man who is skilled in his art.”
- Anonymous Parisian theologian,
1398
John Clements
is a leading authority on historical fencing and one of the
world’s foremost practitioner-instructors of Medieval and Renaissance
fighting methods. As a long-time Western martial artist who has been
studying historical fencing since 1980, John is the most prolific
writer on historical fencing active today. He has practiced European
cut-and-thrust swordsmanship and rapier fighting for more than two-and-a-half decades,
researched swords and arms in 13 countries and taught classes and
seminars on the subject in 11 countries. Based outside Atlanta,
Georgia, he instructs nationwide and internationally as well as (since
summer 2005) from his one-of-a-kind private
facility, Iron Door Studio.
John's
writings on swordsmanship and historical close-combat have appeared
in eleven different
published books since 2001. He was a contributing author
on close combat and fighting arts to The
Oxford Encyclopedia of Medieval
Warfare and Military Technology (2010), a major consultant
for the youth title, Warrior
VS Warrior (Kingfisher 2010), and was senior editor and contributor
on, Masters of Medieval and Renaissance
Martial Arts (Paladin Press, 2008). John was also the writer
and producer of the first of its kind web
documentary on Renaissance martial arts. He also appears in and
contributed to the new documentary feature film, Reclaiming
the Blade. He
also appeared in the documentary
special featurette,
"Knights in Training," on the 2008 special edition DVD re-release
of the film First Knight.
He lectured
on historical combat at the Origins
gaming convention '02 and has consulted on historical combat for the
video game industry.
Clements
teaches, lectures and writes on historical European martial arts professionally
and has authored articles on swords and weapon fighting for magazines
in 6 languages, including: Military History, Renaissance
Magazine, Tactical Knives, Karate International,
Histoire' Medievale, Le art de la Guerre, Master
at Arms, The Sword, Hop-Lite, Sword Forum
International, Rapio Journal, Pallasch, and
Dragon magazine. He was a contributor on arms and combat
to the archaeological anthology, Cutting Edge (Tempus Pub.
2007), and the anthology, Hundred Years War: A Wider Focus
(Brill, 2005), as well as a major contributor on historical fencing
and editorial board member for the new Martial Arts of the World
encyclopedia from ABC-CLIO Press (2001).
John
has presented historical fencing seminars and workshops in more than
two dozen cities across North America and Europe. He has also presented
demonstrations of Medieval and Renaissance martial arts at the Royal
Armouries in Leeds and the Wallace Collection Museum in London, the
Philadelphia Museum of Art, as well as exhibited at Oxford University
and the National Arms Museum in Hungary.
John has been featured
twice on The History Channel, instructed cadets and officers
in historical fencing at West Point, and was a keynote presenter at
the Sword 2000 event of the New England Bladesmiths Guild,
as well as the Schola St. George Medieval Swordsmanship Symposium
2001 in San Francisco. In 1982, he founded the Medieval
Battling Club, and in 1999 was the creator and a founding member
of the original Swordplay Symposium International.
He also presented at the 2001 Texas Medievalists Association annual
conference in San Antonio, the 2003 conference at the University of
St. Thomas, and the 13th Biennial New College of South
Florida conference on Medieval-Renaissance Studies 2002. He has lectured
for the History, Anthropology, and Military Science departments at
both Texas A&M and Texas A&M International Universities.
He has presented on Medieval and Renaissance combatives to classes
at Brigham Young University, Rice University, and Furman Universities.

Clements is also a patron
member of the Oakeshott Institute,
has consulted for the US Army's unarmed combative systems program,
and has taught historical European martial arts to underprivileged
kids at a college-prepatory academy in Houston. Previously, in 1993
he taught two semesters on swordsmanship at Western Nevada Community
College, and in the state of Texas is a Court certified Expert Witness
in the area of bladed combat. From
1997 to 2004 he taught public classes and private lessons in Houston,
Texas.
John is also
the author of the groundbreaking books Medieval
Swordsmanship: Illustrated Methods & Techniques (Paladin Press,
Nov ’98) and Renaissance Swordsmanship:
The Illustrated Use of Rapiers and Cut-and-Thrust Swords (Paladin
Press, March '97).

Currently John trains
in longsword, sword & buckler, sword & dagger, spear, rapier
& dagger, and is an ardent promoter of weapon sparring and
of test-cutting. In the past decade, John has had the opportunity
to practice with actual historical swords and has handled more than
200 antique European blades from the 12th to 17th
centuries in private collections, auction houses, and museum storerooms
across five countries. John is a member of the British Arms
& Armor Society and helped pioneer the realistic use of both historical
wooden training swords (wasters) and steel training swords
(federschwerter). He has
long advocated a true martial arts approach within the modern study
of European fight literature.

In September 1994, John
took first place in the Advance Weapon-Sparring competition of the
US National's Kung Fu tournament, in Orlando, Florida. He is a member
of the Georgia Association of Historians and was a feature presenter
on Renaissance swords at the 2006 Blade Show in Atlanta.
As a professional writer-researcher
and practitioner of historical fencing, Clements has committed his
life to a career in advancing and promoting the study of Medieval
and Renaissance combatives. He presently
teaches and researches on historical fencing full-time while working
on book, video, and consulting projects about the subject.
To
quote ARMA instructor John Clements: "As a historical fencer and Renaissance
martial artist, I can think of nothing more satisfying than to simply
declare, 'Yes, I
am a swordsman.'"


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As
of June 2005, John Clements is also the owner and operator
of Iron Door studio, the nation’s first and
only historical fencing hall built as an actual modern "school
of arms" facility exclusively dedicated to the study and
practice of Renaissance Martial Arts.
As
head instructor of ARMA, Director Clements has always maintained
a cutting-edge curriculum with a holistic approach to the
study and interpretation of the historical teachings.
Between 2006 and 2007, John began implementing
a revolutionary new understanding of Renaissance combatives.
Following his new ideas on the nature of the subject and
the meaning of longsword teachings as fundamental to the
craft, he worked at presenting this program in three countries
as well as through private instruction at his Iron Door
Studio facility. In 2008 this new method --- emphasizing
a radical understanding of the value of motion, balance,
leverage with timing, and centered binding and striking
--- became the de facto basis of the ARMA’s core fighting
curriculum.
See
www.historicalfencing.com
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Email the ARMA Director at:
theARMA@comcast.net

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Read
some of John Clements' articles here:
Why
Are There So Many Kinds of Swords?
Top
Myths of Renaissance Martial Arts
What
did Historical Swords Weigh?
The
Sword & Buckler Tradition
Historical
Fencing Study - The British
Legacy
Martial
Art or Combat Sport?
Pinder's
Contest - 16th century rural English Prizing
Peachey
the Shoomaker's Challenge
The
Myth of Cutting vs. Thrusting Swords
Wasters
- The history of wooden swords
Intro to Historical European
Martial Arts
Renaissance
Martial Arts Literature
Using
the “F" Word – The Role of Fitness in Historical Fencing
History
of the Pell
Questions
and Answers About the Rapier
The
Weighty Issue of Two-Handed Great-swords
See
some sample videos below:

Longsword technique
practice at Iron Door Studio, 2009

Free-Play with Federschwerter
at Iron Door Studio, 2007

Practice of unarmed disarming
counters
against vertical cuts from a longsword (Jan 2008)
2006 test-cutting
demonstration on bamboo
using a completely blunt bastard sword

An ad hoc demonstration
of some long-sword
counter-strikes & half-swording techniques. c.2003

John C. demonstrates an
intermediate greatsword
florysh. 1.5 mb .mpg

John C. performs two
displacements: one receiving the
blow on the flat in Hengen and one
striking on the other's flat with
the short edge. 1.3mb .mpv

Ely rapier "duel", July
2000
6mb .mpv

Sword & Buckler
Florysh I
2mb

John performs a few well
placed edge blows on melons with
an antique arming sword, c.1999.
6MB
"There are attributes and principles common to the martial arts all
around the world, core concepts that reflect the innermost essence
of our being...
And yet these central principles are not often understood. John Clements
has been able, by freediving into the depths of the European martial
tradition, through scholarship, persistence and sweat, to firmly grasp
an understanding of the martial arts uncommon to this decade. He is
an extraordinary martial artist and swordsman."
- Kostas Dervenis
The Pammachon System, www.pammachon.gr
"John
Clements a leading authority on Medieval and Renaissance Combat. He
has shaken the dust off of the real history of our European Combat
Heritage and has brought it back to life accurately and honestly,
in all its brutal and elegant forms. Seeing John in action is
a testament to the effectiveness of the actual fighting skills that
these knights and nobles perfected and used in real life and death
combat."
- Ernest Emerson
Emerson Combat Systems, www.emersonknves.com
“John
Clements is a very knowledgeable and insightful martial artist. His
research and methods, particularly in the interface between fighting
with weapons and grappling, have been very helpful to the development
of our program."
- Matt Larsen
Director, U.S. Army Combatives [martial arts] Program
Author FM 3-25.150
“I
have found John Clements' workshops on Medieval and Renaissance martial
arts in Houston
and on the Texas A&M campus to be both mentally and physically
challenging. I have been particularly impressed by his desire
to keep the practice of these arts "real," while maintaining
high safety standards."
- Tom Green
Associate Professor (Anthropology), Texas A&M University, Editor
and contributor, Martial Arts of the World: An Encyclopedia,
Veteran of more than 30 years training, teaching, and research
in the martial arts, including capoeira, freestyle wrestling,
and six styles of Chinese and Japanese martial arts.
"I
thoroughly enjoyed and learned much from the ARMA seminar that I participated
in. I found John Clements to be very knowledgeable and skilled in
the use of realistic weaponry of medieval and renaissance Europe.
I look forward to training with John again soon."
- Rick Tucci
Founder of the world renowned Princeton Academy
of Martial Arts in Princeton, New
Jersey. Member of the Board of
Directors for the World Eskrima Kali Arnis Federation (WEKAF),
Guro in Lameco Eskrima, Full instructor and third degree black
belt in Doce Pares Escrima.
“The
ARMA training curriculum is just about as solid as you can get. It's
progress from simple drills to full speed applications is the best
I have seen. This is reality training at it's best. John projects
an intensity in his instruction that is hard to not get caught up
in. His energy and zeal are remarkable."
- Col. Dwight McLemoore, Ret.
Frontier Americana Martial Arts instructor & author
"I
have found John Clements to be expert lecturer on subject of Western
Martial Arts. John possesses understanding of both framework of martial
arts in general, as well as minute details - and that combined with
his passion makes for very enjoyable seminars."
- Milan Petracevic
Croatian national fencing team member, Alberta
provincial fencing champion, International fencing competitor &
multiple medal winner Western Canadian Fencing Championships.
"As a fight director determined to bring as
much historical authenticity as possible to my work, I personally
consider the ARMA organisation a major resource for anyone interested
in the history of European martial arts…."I've no doubt that
through his lifelong studies in the field of historical swordsmanship,
both academic and practical, John Clements can lay claim to being
a modern expert of Europe's Medieval and Renaissance martial arts."
-
Keith Ducklin
Combatant, Royal Armouries Interpretation Department, Leeds, UK, Teacher
Member, British Academy of Dramatic Combat, Co-author of Sword
Fighting: a Manual for Actors and Directors.
“John
Clements is a superb martial artist and exemplifies this in his use
of the longsword…anyone who wants to explore Western martial
skills should take any possible opportunity to train with John Clements."
- Dale Seago
Bujinkan martial arts instructor and Western martial arts researcher
"John
Clements is a pioneer, Western martial artist, eclectic reconstructionist,
and accomplished author. His unswerving dedication to uncovering
the Western martial arts is unparalleled. This renaissance has
given practitioners connection with their heritage."
- Prof. Ronald A. Harris, Ph.D.
Edged weapons expert: Master, Original Filipino Tapado (Stickfighting)
Association, Bago City, Philippines; Master, Negros Occidental Arnis
Federation, Bacolod City, Philippines; 10th Degree Red Belt, Eskrima,
Doce Pares Club, Cebu City, Philippines; Lakan Guro, Pekiti Tirsia
System of Kali, Albuquerque, NM; Instructor, Muay Thai School of Saint
Louis, Missouri; 1st Degree Black Belt, Shotokan Karate, Vasquez Martial
Arts Center, Philippines; 3rd Degree Black Belt, Combat Judo, Doce
Pares Club, Cebu City, Philippines; 4th Degree Black Belt, Taekwondo
Jidokwan, Seoul.
“John
Clements and his associates at ARMA put on a wonderful demonstration
for a focused audience at the Philadelphia Museum of Art. His
researched lecture included fascinating illustrations of art and history
that helped illuminate the Museum’s collection and our commitment
to the artistry of martial objects. Of course the highlight
of the workshop was the fighting demonstration that allowed the audience
to experience first-hand a different—and equally important—artistry.
Many audience members expressed their enjoyment in seeing weapons
in action and the techniques and strategies of Renaissance martial
combat. All in all, John Clements presentation was excellent;
it gave new life to the objects on view in our galleries.”
-- Adam Johnson, Staff Lecturer for Academic Affairs
Philadelphia Museum of Art, 2007



See
also the ARMA Deputy Director
Aaron Pynenberg here
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