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Disapprove of sparring, eh? Yup, you'll probably start something.
The ARMA rabidly endorses sparring with intent, as no other activity will hone the reflexes and solidify technique like using against someone who doesn't want it to work in a chaotic environment.
And I'll fight anyone who diagrees, and beat them...because if you don't spar, you can't fight well. With 6 months of ARMA sparring experience I was able to beat an advanced Shin-Ken-Do student with minimal effort--not because he wasn't skilled (he was very skillful), but he had never had to use his skills under that kind of pressure, in that sort of environment. After a few weeks of sparring he got quite good.
Sparring is absolutely necessary to be a fighter of any kind. Anything else is dancing.
You wrote, "In today’s world people can’t except that level of hostility and therefore the sparring becomes half hearted and useless. " I assume you meant "accept that level of hostility." I think you have a valid point, but recognizing this simply reinforces the principle of training with intent, in earnest, instead of simply "play fighting." Play fighting will build your reflexes, but it's also true that a certain degree of, um, violence is necessary. I've broken a bone and bled lots training and sparring. This degree of intent, as you point out, if absent reduces the value of sparring considerably. So you need that degree of intent and friendly hostility. You see it in Dojos, all over military training camps, and amongst serious ARMA practicioners. Just ask anyone on this board that's fought me, John C., Shane Smith, Tim Sheetz, or Stew Feil if we don't hit like we mean it.
Don't throw the baby out with the bathwater on sparring just because you haven't seen it done right yet. Unless, of course you can't accept that level of "hostility," though I'd call it agression, not hostility per se. If you can't, however, you're not studying a killing art...you're studying dancing modeled after a killing art.
Make sense?
Jake
You are absolutely correct that sparring is not (usually) fighting, and that the psychological needs in sparring are different from the psychological needs in a real-combat situation. Training, however, is used to overcome those psychological barriers to meet the needs of performing under an actual fight-or-flight situation, as Dr. Dave Grossman (US Army LTC, Retired) points out in his books On Killing and On Combat. Modern training practices which include sparring and it's equivalent in the world of firearms have proven to increase a soldier's ability to perform under real fire, in a real fight. This extends, of course to our art as well.And sparring is not match in any way to real combat (again in my opinion) a fight is totally different when you are snapping peoples knees (or as my instructor has had to do on two occasions take out somebody’s eye). I was one set upon by 8 men and then once buy 6. And too be truthful I feel that sparring is a good exercise in combat awareness but it does not measure your skill in reality. Psychological effects change reality. In a controlled environment people can stop and they know there is control. However, a man with a knife who wants to kill you in the reality of it will break the best sparring partner in the world unless he has the psychological means to defeat his fear.
Unfortunately I haven't seen any evidence of this in martial arts, sports, or in the military...it's all hype, in my opinion/experience. If you don't train, you can't perform. If you don't spar when you train, you won't fight well. Modern day MMA fighters and professional soldiers are good examples of this--they "spar" incessantly, and are unbeatable in their element because of it.So to go back to your argument you are saying that people can’t be good if they don’t spar. Well I have to split agree with you, maybe I should have been clearer. In the beginning you should spar and deal with the hard external principles of martial arts. I totally agree, I did this for years and it does help build combat knowledge. But I think there is a point, for people with combat experience where sparring becomes a game and is almost useless ( in my opinion) when you know you can fight then I think its time to move away from sparring and concentrate on body mechanics, natural movement and the true development of subconscious reaction.
Part of the problem you've identified is "winning" and "losing..." which are game terms. If you're training for a race do you ever "win" on training day? Of course not--you either prepare well, or not. This doesn't change, even if the race never happens. It's true that when we spar we usually go to the first clean, supposedly disabling hit. Is this to declare a winner, or to reassess, to say, "hmm, I got hit pretty badly...what did I do wrong?" or "Hey, I hit that guy in the neck...what did I do right, so I can do it again?" We shouldn't be saying, "hahahhaha I won you suck!" at least not unless we want a "real" fight on our hands.Furthermore, when people say win in sparring, what does that men? Getting a hit? The human body can sustain massive damage, it is possible to die after three days of having your stomach spilt.
[snip]
...in the end I had to get into a car to drive away (at which point bricks came flying) but the point is I technically won, but I would have had to kill him to stop him, now go to medieval England and give that same man a sword and training and the right to kill? A change from the sparring situation!
I'll be honest...I'm a little lost here. Do I need to realize that most people who study RMA are non-fighters? What does that mean? Ha, now we have to define "fighter!" Seriously, though, what I see in your core assumptions is that this art isn't studied as a combat art, but as something else. You're correct--many people, maybe most of them--study this art as a form of confidence-building fantasy dance. But that's not why we at the ARMA are here. We may (often) fall short of our own goals and ideals here, but the bottom line is that we strongly, strongly, strongly feel that this art needs to be approached as a life-or-death subject, as a modern and historical combative, and our training needs to reflect that sort of mentality.As for the dancer comments, I understand what you mean. I see where you are coming from but I think people have to realize that the people who learn in this method today are usually non fighters and go to that because there is no sparring. However they art itself is still deadly, I have moved to one of these dancing arts and I no longer spar. But out of the mountains of people 95% of them are non fighters but the 5% who are and use these dancing style are unbelievably dangerous. I trained with a bone doctor in England who does dot spar in any way (after 30 years of karate sparring) and what he could do was sick. I didn’t know pain came in so many shapes! (any body who disbelieves in pressure points, look no further)
Don't worry about your language. We're talking about ideas here, and that tends to get people a little excited...then we're on the internet, which makes everyone a little too sensitive. So don't sweat it.Ok I think I have made my point, my apologies if any of the language is strong in here, it is only my intent to state that the deadly arts we all love are truly deadly and that building ego and self confidence (which I hope people don’t have)is dangerous through sparring, it’s a dangerous world, in truth, and I think we are all here to learn chivalry and the arts for benefit, but there will always be idiots out there. So good luck everybody with your chosen method.
Er...I studied aikido before I began to learn WMA (and am still studying it right now), and one thing the sensei makes clear is that there is no way of fighting with an "empty mind" except if you have trained so frequently and so strenuously that the movement patterns of the martial arts become ingrained in the subconscious and in muscle memory. So even this thing is impossible to achieve without at least controlled sparring.Your concept of zen fighting is interesting. I have heard that an empty mind is good to fight on.
I was simply summarizing his statements, not condoning. I wasn't saying that we teach that way, I wasn't even saying that I was trying to fight that way (in fact I disagree with it), I was simply saying that I had heard from people that it is a type of fighting, and that the person who told me about it said it was good. That was all.Er...I studied aikido before I began to learn WMA (and am still studying it right now), and one thing the sensei makes clear is that there is no way of fighting with an "empty mind" except if you have trained so frequently and so strenuously that the movement patterns of the martial arts become ingrained in the subconscious and in muscle memory. So even this thing is impossible to achieve without at least controlled sparring.
(And despite the fact that most branches of aikido don't hold competitions, all of them do involve controled sparring and what can be said to be free-play with the exception that the practitioner is not supposed to be the one attacking first. Counterattacking, though, is perfectly legitimate.)
Have you been through the articles on our site? Seen the ARMA training methodology? Hopefully you'll find what you're looking for there, as far as an introduction to our approach to training RMA.Ok I think we are barking up the same tree but on different sides. let me state, I do agree with sparring, as a beginning gesture and as long as its seen as only sparing then yes all is well. I was talking more about people who get false confidence from said hostilities. And further more I have not attacked your system in any way, I don’t know your system that’s why im asking?
What you're saying is more true about unarmed styles than armed styles, I think. It's difficult or even impossible to perform a correct arm-break or even a punch without really punching or causing some damage to the arm. But with a sparring sword I can hit a guy at cutting-force and not injure him. So I get to train at speed, with force and intent beyond what I can do as a grappler. When you spar as as grappler I think the primary real-life application you learn is leverage, pressure, feeling your opponent's intent, etc. With a sword, though, you can really hit the guy as if you were taking that arm off...it's fantastic training.“I return to the studies of Dr. Grossman and others, however, which confirm that if you pretend to cut off an arm on a regular basis, with intent, then your training will kick in and you will do so automatically” this comment is what I mean exactly, if I train it will happen, but in sparring, or in my training, you can’t do the techniques as they would kill, maim or disable someone, there is no half hearted maybe this would snap, maybe not, it would snap, and we learn to understand the bodies natural response. And in sparring the response to a supposed break, stab, whatever is not correct and therefore not realistic.
I'm familiar with a few modern combatives/self defense schools that talk about this concept. But you're telling me "what" to train, not "how." How, other than sparring, for example, can you effectively train your subconscious. How, other than sparring, can you confirm that it works without really fighting a guy?I gave up kata a long time ago.. subconscious reaction is a simple concept. When we enter to true danger our subconscious reactions take over. Have you been driving and someone jumps in the road. The next thing you realise is that you swerved out of the way and then you remember the events after. This is the reaction im talking about. It works much faster then conscious, so anyone who says they have had a true fight in the conscious form has not had a real fight, its quick, un comprehendible, you only remember doing things after and its over quick, the events come later when you remember them. If you train your subconscious, like the car you act accordingly.
...how are you training now? What are your amazing secrets? I'm not mocking you here, although I am calling you out a little. What you're saying flies in the face of a decent breadth of experience. How could you prove it to me, if we were in the same room?The comment about my ‘eye fight’ that was in my days of sparring lots, and to be honest he was too easy to beat, I just had to decide not to blind him, its not about number of people or boasting, he was easy to beat and the training I had worked. But if I was doing the training im doing now I could have done other things and restrained and controlled the person
Okay, I had to read if a few times, but I think I see what you're saying, and if I'm right, then I agree. I think. You're saying that few if any of us really, honestly, classify as "warriors" in this day and age, and even if we can, the kind of "war" that we engage in probably doesn't include much in the way of swords. So yes, this is true. And yes, honestly, even the most aggressive, intense trainee of modern swordsmanship will probably never use it. But we can still train *as if we were going to use it,* which is an important element of the ARMA approach (since you asked).Dear jake, my non fighters comment was not for your organisation at all my friend. This was aimed at the lumps of flesh called humans that I had to train with. Some people are poets, some mathematicians, artists and some are fighters etc, some blend. Did you know dante went to war? I bet he was mint. And when I commented on your dancers thing, again I meant people I know, not you good folk. People go to a club twice a week and think they are warriors. Sad. People trained all there life, and they knew how to do it.
Whoa, now, are we talking about fighting or about war? Not the same thing. You also make a lot of pretty wide comments here--so many I can't really afford to address them at the moment, which isn't fair, I confess.Jake I have to completely disagree with you here, completely, that cage fighting malarkey is a waste of time, its set up for commercial gain. The evidence that you are talking about, martial artists verses sparring. No go. These ‘martial artists’ are not experts not matter what the credentials (which I may add is a load of rubbish anyway) cage fighting is big men hitting each other till one falls down. That’s why martial arts were invented to stop people like that. If you introduced a knife into the cage watch the difference, and all martial arts deal with weapons. That’s war. Cage fighting is a mock semi ruled sport that does not imitate real fights in anyway what so ever. I have watched these ‘fights’ and in reality with weapons, they would be dead in second, they leave all the armour weak points open nearly all the time, they have no awareness of where the hands of there opponents are. You can’t take out eyes hit the throat, all the area that change fight dynamics. And I have seen many martial ‘arts masters’ and met only four that were truly masters. These people wouldn’t entertain going into a cage fight, they no its hype and they would be enable to meet them strength for strength (which is all it is) , if they weren’t allowed to use all the aspects of a fight they would be doing a sport. I wont go more into this. In my opinion cage fighting is the furthest thing from a real fight, it’s a dangerous sport and nothing more (again in my opinion)
In the more serious Eastern martial arts schools, ki is not even an abstract concept--it's just an awareness of the opponent's energy flow as you sense it through your evaluation of his physical movements and mental intentions. In other words, they consider it as nothing more than having practiced and sparred to the level that you can anticipate the opponent's actions instead of merely reacting to them.Re: Pressure points. Uh-huh. Does ki come with that?
People think it's something mystical because there are lots of people that advertise it that way. So when you talk to a "hard external" school martial artist he'll tell you that ki is a good way of looking at breath, energy, etc...all pretty valid. But if you ask the Napoleon Dynamite generation about ki you get something out of Manga.An equally accurate (but far more succinct) way to explain it would be by saying that the real traditional Eastern schools (as opposed to the flashier ones) teach it just the same way European masters would have taught about Nach und Vor. I still don't understand why lots of people still think it's something mysterious and mystical.
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