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Yep, that's some good stuff right there. I find that if I I cut with realistic speed and intent in response to a big zorn that is coming at me in range and on target, I will almost always catch my opponents blade with my edge mostly on his flat, displacing him just enough while my blade tracks right on to his arms, torso, or head. The only time it ends in a hard edge to edge impact is if one or the other of us pulls the cut or strikes with an unrealistic speed or trajectory. It's really important when doing these displacements that they be done as if you are actually trying to cut each other. If either of you anticipates the displacement or tries to cheat by turning the blade in a weird way, or slows it down too much, it just doesn't work. The footwork is important too, it works best IMO with the diagonal passing step that is seen several times in the video. Nice job!
Yes, thanks. That's the one where the figure on the left counter-striking is depicted with his blade turned to strike edge on flat. Look at how the cross and back of the sword are clearly drawn at an angle. There are other obvious examples of this in many other works.One thing that strongly stands out to me in the video is that John's body and sword position, especially near the end, is almost identical to the body and sword position in the Zorn-to-Zorn image of the Paulus Kal manual (see the following link).
http://www.chivalrybookshelf.com/titles/Kal/Kal10.jpg
LOL. That's funny. I'll let Aaron come on here and address that, since I complained to him after that he was doing just that and I needed him to traverse...which as I explained to the attendees present, makes the displacements work even better. You'll see this in our next longer clip we filmed right after this.Hey John
I notice in the video Aaron step's straight in and you traverse somewhat to your right, what kind of effect do you get if both of you traverse right when he come's in with the cut?
Jeff
I guess great mind's think a like.LOL. That's funny. I'll let Aaron come on here and address that, since I complained to him after that he was doing just that and I needed him to traverse...which as I explained to the attendees present, makes the displacements work even better. You'll see this in our next longer clip we filmed right after this.Hey John
I notice in the video Aaron step's straight in and you traverse somewhat to your right, what kind of effect do you get if both of you traverse right when he come's in with the cut?
Jeff
JC
Are you saying i don't have a great mind?great Minds Jeff.....? Scary..anyway yes, John did let me have it for coming in straight at him a few times. An interesting training note however is that if you train that way it's actually harder to make everything work. So when things are harder in training it makes things easier when not....but since we are in reality always training, traversing to practice these cuts is a good idea.
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