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Not all music has a set tempo. We often spar with some form of modern broken rhythm (loud and fast) music playing. Gets the blood going.Does anyone have any info on the Reason for Music presumably being played in Fechtschulen of the 15th - 17th Centuries.? Joachim Meyer's
Treatise contains several of these images. I've seen some other German Fechtschulen plates from the 18th century also showing Drum/ Fife/Horns.
My preliminary research into the evolution of Martial Music reveals the battlefield applications of Music. But I wonder why it would be played at a Fechtschule. Furthermore, has anyone read where an Original Master mentions the benefits of Music played during training?
Unfortunately, written Martial Music in Europe doesn't appear till after the Renn. era. or so I think. Sometimes, when training, I will play Music with a 4/4 time. Yet the benefits elude me, as this causes an established Rhythm. Whereas fighting, is a staccato event, without clearly defined Tempos. Am I overlooking something?
In organized period armies (think pikes, muskets and close order drill) drums, fifes and bugles were used as troop signals more readily heard than verbal commands. Call it the early version of tactical radios.Thank you for the input, During training, I find Music adds a certain Chaos, as does sparring with dissimilar weapons, this assists in breaking up any "fixed" patterns or other bad habits. Your reference to the Muay Thai orchestra varying its' tempo is interesting. I've been reading work by a Prof. Kate van Orden, Berkeley MIT. In her book Music, Discipline and Arms in Early Modern France, she asserts that, "Music became a Disciplinary agent of the Absolutist state, both on the Battlefield and Off."
Maybe instead of "Getting the Blood going" the musicians might have kept the Blood from Boiling. I'm looking for written martial music now and hope to learn more of it's purpose(s). Thanks again.
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