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IlkkaOne interesting bit that Randall is addressing, and I forgot to comment on, is the tactical difference depending on whether the Scholar besets the underarm ward in half-shield or longpoint.
In case of longpoint the priest is instructed to bind always, either above or under (page 12).
In case of half-shield, the instruction is to fall under the sword and shield. If the priest was, again, to bind, why would the action be called totally different?
In regard to "sub" meaning something other than "under" we have to consider it in context of Latin rather than English and within the context of I.33, which has a number of images that show a sequence of actions that strongly support the translation of "cede sub" as meaning "fall under". We should not analysis one piece of data outside of the context of all the data.Interestingly, the half-shield against underarm is repeated on page 16, with the text saying that here you do all that was before (...et habebis omnia priora). Could this be referring to the possibility of also binding, or is it a reference to the action of falling under that was in the very beginning? Why is this repeated here?
Now, for something different, I'd like you to consider the following:
What if the "falling under" is not a bind, but neither a cut to the arm, and neither the complete action of following with the mutacio. Wikipedia gives the following for the Latin preposition "sub":
sub (+ ablative)
under, beneath
behind
at the foot of
within, during
about (time)
What if, it does not mean "under", but behind or within?
Mutation of the sword is only one option, so falling under is not just attempting to do this.These three are for the priest: durchtritt, mutation of the sword, or with the right hand he may grasp sword and shield.
VincentHi everyone,
Sorry for leaving the discussion early, but I was away from keyboard in vacation.
Anyway, I think there are in fact a bunch of matters being discussed at once, of varrying significance:
1) What is the appropriate translation for cade sub gladium quoque scutum, does cade apply to just the sword or does it mean something else
2) Does this sentence apply to a whole sequence ending by the change of sword, or just to the action shown at the bottom of page 3
3) What exaclty is the priest doing at the bottom of page 3: cutting (if so where and from which angle), binding, thrusting etc.
1 and 3 are linked of course, but 2 is relatively independent.
My interpretation has a significat impact and it brings a totally NEW understanding to "Falling Under the Sword & Shield"! I have clearly shown that binding against Half-Shield as done in the interpretations of Guy Windsor, Sean Hays, Paul Wagner, Roland Warzecha, and Robert Holland is totally wrong. It also shows that the interpretations of Guy Windsor, Sean Hays, Paul Wagner, Roland Warzecha, Robert Holland, and Brian Hunt & Stewart Feil are incomplete because they did not include the actual "Under" part of "Falling Under the Sword & Shield". My interpretation of "Falling Under the Sword & Shield" is fully supported by the text and images of I.33 and it the only interpretation where the priest's sword actually falls and goes under the sword & shield of the student!Randall, I thought the gist of your point was to challenge the common answer to question 2, but now I'm not sure. As you said yourself it has little practical impact, because everyone already does the end of the action in the way you describe... Unless it brings a further understanding of other parts of the manual, it still means that if you are in a guard from the left and opposed by half-shield, you do the action at the bottom of page 3, whether you call it "falling under" or just "initial action of falling under".
I fully agree that one must understanding of Half-Shield to understand why one has to "Fall Under the Sword & Shield". As I have stated earlier in this thread the priest wants an over-bind from which he can perform a Shield-Strike. However, from the Under-Arm guard any attempt by the priest to bind against a correctly a held Half-Shield will put the priest in Longpoint with his weak on the strong of the students blade. Sean Hay's has a video (http://www.northwestacademyofarms.com/) that not only shows a bind against Half-Shield but it also shows how easy the student can counter that bind...and that is just one of a dozen ways to counter it. The priest performs "Fall Under the Sword & Shield" so he can get the student to move out of Half-Shield into a position where the priest can get a good strong bind.Personally I think Ikka was correct when he highlighted this:Mutation of the sword is only one option, so falling under is not just attempting to do this.These three are for the priest: durchtritt, mutation of the sword, or with the right hand he may grasp sword and shield.
As for problem 1, I trust much better latinists than me (Franck Cinato and André Surprenant). If they think cade sub ... can apply to the body as it dives under the opponent's weapons, I won't challenge their understanding of latin. They are not working from a translation but from the original text... And this interpretation of fall is not specific to English or German, it works in French too, for one thing. I think it goes deeper than just idiomatic use in germanic languages.
The real interesting question, in my opinion, is point 3. Whatever you call it the action is not clear, as the discussion shows, and many actions could end up in this position and lead to the three options of the priest.
Personally, I think it all hinges on our understanding of half-shield. Why is it a good opposition to the guards with the sword held at the left side? I'm no expert on I.33 but everytime I see this kind of discussion I have the feeling that we'd need a better understanding of the oppositions and how they protect the opposer. For one thing, I'm not all that sure that the right arm really is exposed in halfshield. I'm nearly sure that there is something lost on the manuscript with the lack of perspective, even for these seemingly simple positions. Since it is nowhere written that the one doing the falling under is even likely to cut the arm, and nowhere written that the one in halfshield protects his arm, I assume that halfshield protects the right side, and mostly right arm, far better than it seems on the flat drawing. It's in the direct line of attacks after all.
Ilkkait is quite easy to protect the hand in half-shield.
As Vincent implies, the perspective of the pictures can leave a part of the story untold.
The student holding Half-Shield a few inches to the right will make no difference when the priest cuts with a simple off-line step to his left. If the student holds Half-Shield far enough to his right to actually make a difference then he is basically not in Half-Shield anymore.If you direct your centerline towards the sword of the opponent your arm is basically no longer exposed, especially not as much as it is if half-shield is held straight towards the opponent.
My personal view is that if the priest cuts into Half-Shield and then attacks along the blade then the priest is in a bind with the student's blade.I'd also like to remind that I haven't really seen anyone interpret the initial action as a bind in the sense that binds are done in I.33. An action with contact on the blade can be called a bind, or not, depending on how one defines these terms.
I only consider the mutacio to be an "under" action. The other two options, grabing the student's shield or wrapping up his arms , are basically forms of grappling.The mutacio has more of an element of really falling under than the other two, but it is clear from the text that there are three options. Either the falling under is the initial part, or then the falling under is any of the three. Is there an argument against this?
But we know without doubt that the priest's sword does go under the student's sword and shield during the mutacio.And what comes to pictorial evidence, the position is maybe a bit strange, but in all instances the priests sword is over the arm, not under.
I think I have been very objective in regard to both mine and other's interpertations. Why would I even put forth a new interpretations of "Falling Under the Sword & Shield" if I thought all of the other interpretations were correct? How do we move forward in our endeavor to recreate these lost arts if we accept all interpretations? Only one interpretation can be right. We have to be willing to drop interpretations when we see that they are wrong. In the last couple of months ARMA has gone through nothing less than a revolution in regard European longsword fighting (http://www.thearma.org/forum/viewtopic.php?t=23959) and that came about only because John Clements was willing to challenge his own interpretations. We didn't mourn the old interpretations, rather we happily embraced the new interpretaitons since we took enormous step in recreating that lost art. It was that movement that encouraged me to take another look at existing I.33 interpretations.I see your point, Randall, but please try to stay objective, especially to your own theory. Saying that you are right, and everybody else wrong, is perhaps not the best way to convince others, is it?
I don't view the mutacio as key to the the I.33 system. I see it only as a major part of the "Falling Under the Sword & Shield" play and as a very important technique to be used whenever one is in an under-bind on their left side.I'd love to read your reasoning as to why the mutacio is the key to the whole system of I.33, and how this action relates to the plays from other positions.
Wait, is stepping through a shield grab? Does not look like it on page 18...I only consider the mutacio to be an "under" action. The other two options, grabing the student's shield or wrapping up his arms , are basically forms of grappling.The mutacio has more of an element of really falling under than the other two, but it is clear from the text that there are three options. Either the falling under is the initial part, or then the falling under is any of the three. Is there an argument against this?
Once you get to a sufficient level of detail, I doubt that this statement can be true. In fact it's not even true in martial arts that have a living tradition (basically there are as many interpretations as there are teachers), so for martial arts reconstructed from a rather superficial writing along with stylized illustrations, it must be even worse...Only one interpretation can be right.
I guess we just have to disagree at this point. When I look at the image I do not see the priest falling or stumbling. I only see the priest sword falling.I disagree that the sword is logically the only thing that can fall. I can't remember ever looking at the image and thinking that the sword has fallen. I can however pretty much figure how to let my body fall, or stumble, under the weapons of the adversary.
It's not simply a cut to the arm. However, it is a simple play that starts with a simple cut to the arm.Seriously, we must be missing something if it's simply a cut to the arm.
The cut to the arm is only the "falling", it is not the "under". The author of I.33 says it falls because it is an Oberhau, ie it moves in a downward path.Why would you describe a cut to the arm as "falling under"? Because it fails?
The cut to the arm does not always fail, I have been hit on the arm several times while in Half-Shield against Under-Arm due to a lack of awareness (falling asleep at the swordWhy assume that the cut always fails?
As I have said in many of my posts the cut gets to student to move into a position where the priest can get a good over-bind.Why even throw such a cut if it always fails?
On page 17 the priest is in the Right-Shoulder (2nd) guard which is his strong side. More importantly, his sword is not under his own buckler as it is in the Under-Arm guard. Therefore the priest is in a position where he can establish a strong bind against the student's blade. In short, the situation shown on page 17 is a completely different situation from that show on page 3.Your whole line of thought would benefit from including page 17, as it shows a position somewhat similar to half-shield on the other side (weapons pointed up, buckler on the right even though the main lines of attack come from the left). Do you see the priest trying to cut the arms? No, he seeks contact first, and not a specially advantageous one at that, with the cross of swords occuring near the tip of both. I think in that situation, just like against half-shield, the arms are protected a lot better than you think.
You're right, my bad.Wait, is stepping through a shield grab? Does not look like it on page 18...
Regardless of whether one is talking about a living tradition or the recreation of a dead tradition if two interpretations are ratically different then only one of them can be correct. My interpretation is ratically different from that of Windsor, Hays, etc. to the point that only one of them can be correct. I think my interpretation is correct.Once you get to a sufficient level of detail, I doubt that this statement can be true. In fact it's not even true in martial arts that have a living tradition (basically there are as many interpretations as there are teachers), so for martial arts reconstructed from a rather superficial writing along with stylized illustrations, it must be even worse...Only one interpretation can be right.
I can easily forgive that one, my own breaks at work are often filled with sword-related business as wellYou're right, my bad.Writing during breaks at work sometimes leads to a little embarrassment.
I have to agree with Randall on this one. We are looking at a single manual written by a single man or group of men depicting sword and buckler as they understood it. It may be reasonable to assume that the style depicted was widespread and taught by many with differing opinions, but without other manuals from the same time period as evidence, we're forced to rely on what we have. My starting assumption would be that a single author writing a step-by-step manual has a pretty clearly defined idea what he is and is not trying to show you how to do. Whether or not he's any good at explaining it is another story, but if you could go back in a time machine and ask him, he would probably have a pretty specific answer for "this is what I was trying to show." Smart fighters may very well be able to come up with alternate versions that work equally well, and the author might even agree with you that what you did works, but that's still not what the example in the manual was. I've run into this problem with Di Grassi several times already. The principles learned may give you several options, but when it comes to named examples, you're either doing what the author intended or you're not.Once you get to a sufficient level of detail, I doubt that this statement can be true. In fact it's not even true in martial arts that have a living tradition (basically there are as many interpretations as there are teachers), so for martial arts reconstructed from a rather superficial writing along with stylized illustrations, it must be even worse...Only one interpretation can be right.
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